Bay Area artist Kate Nichols synthesizes nanoparticles to mimic structurally colored animals, grows artificial skin from microorganisms, and makes her own paints, following fifteenth-century recipes. The long tradition of painters as material innovators inspired Nichols to become the first artist-in-residence in the Alivisatos Lab, a nanoscience laboratory at UC Berkeley. In 2010, she was appointed a TED Fellow and was awarded a Jacob K. Javits Fellowship. Her artwork has been featured on the cover of the journal Nature, on the TED stage, in the Stavanger Kunstmuseum in Norway, and in The Leonardo Museum’s permanent collection. In 2015, she was awarded the Richard Diebenkorn Teaching Fellowship at the San Francisco Art Institute.
Most recently, Kate collaborated with the Martin Lab at George Washington University to learn to use CRISPR-Cas9 gene-editing technology to “paint” new spots on butterflies’ wings. This winter, she will deliver the Mark A. Ratner Series of Scholars Lecture at Northwestern University and will be a fellow at the Vermont Studio Center. This spring, she will be an artist-in-residence at Stochastic Labs and the Innovative Genomics Institute at the University of California, Berkeley.
nicholskate [at] gmail.com
AWARDS, FELLOWSHIPS, and RESIDENCIES
2019 Artist-in-residence, Stochastic Labs and Innovative Genomics Institute, University of California, Berkeley
2019 Vermont Studio Center Fellow
20155 Richard Diebenkorn Teaching Fellow, San Francisco Art Institute
2015 Scientific Delirium Madness Residency, Djerassi Artist-in-Residence Program
2010 – present TED Fellow
2008 – 2016 Artist-in-residence, Alivisatos Nanoscience Lab, University of California, Berkeley
2010 – 2013 Jacob K. Javits Fellow
2013 Master of Fine Arts, California College of the Arts, San Francisco, California
2010 Master of Arts in Visual Studies, University of California, Berkeley
2004 Bachelor of Arts in Studio Art, Kenyon College, Gambier, Ohio
2016 Visiting Painting Faculty, San Francisco Art Institute
2015 Richard Diebenkorn Teaching Fellow, San Francisco Art Institute
2018 Group exhibition: Pleasure Garden, Eleanor Harwood Gallery, San Francisco, California, (curated by Eleanor Harwood)
2017 Solo exhibition: Angle of Incidence, Black Crown Gallery, Oakland, California, (curated by Chris Nickel and Chrissy Cano)
2017 Group exhibition: AbstrAction, Marin MOCA, (curated by Catharine Clark)
2015 Four-person exhibition: Article Biennial 2015, Stavanger Kunstmuseum, Stavanger, Norway, (curated by Hege Tapio)
2015 Group exhibition: Observations and Collections, Colorado State University, Fort Collins, Colorado (curated by Jennifer Kent)
2013 Group Exhibition: MFA Thesis Show 2013, California College of the Arts (curated by Glen Helfand)
2012 Group exhibition: Emergence and Structure, Lafayette College, Easton, Pennsylvania; MDC Freedom Tower Gallery, Miami, Florida; University of Florida, Gainesville, Florida (curated by Daniel Hill and Ron Janowich; catalogue essay by Jonah Lehrer)
2012 Solo exhibition: Through the Looking Glass, The Leonardo, Salt Lake City, Utah
2011 Group exhibition: New Insight 2011, Chicago, Illinois (curated by Susanne Ghez and Mia Ruyter)
2010 Solo exhibition: Scaled, Materials Research Society, San Francisco, California
2009 Solo exhibition: Drawings: Scaled, Mauve, Berkeley, California
2009 Group exhibition: Enormous Microscopic, Studio for Urban Projects, San Francisco, California, (curated by Phil Ross)
The Leonardo, Salt Lake City, Utah
SELECTED SPEAKING ENGAGEMENTS
2019 Mark A. Ratner Series of Scholars Lecture, Northwestern University, Evanston, Illinois
2018 Visiting Artist Lecture, Augusta University, Augusta, Georgia
2016 BergamoScienza, Bergamo, Italy
2016 Mills College Art Lecture Series, Mills College Art Museum, Oakland, California
2016 Visiting Artist and Scholar Lecture Series, San Francisco Art Institute
2016 Science of Art Lecture Series, Stanford University, Stanford, California
2015 Exploring Science in the Studio, AICAD Symposium, California College of the Arts, San Francisco
2015 Stavanger Kunstmuseum, Stavanger, Norway
2014 San Jose Museum of Art, San Jose, California
2013 Leonardo public lecture series talk, Stanford University, Stanford, California
2012 Analogous Thinking in the Arts and Sciences public lecture series talk, University of Florida, Gainsville
2012 TEDxRainier, Seattle, Washington
2012 TEDActive, Palm Springs, California
2010 3M, Minneapolis, Minnesota
2010 The Exploratorium, San Francisco, California
2010 The Case Foundation, Washington D.C.
2010 TED, Long Beach, California
Artwork featured as cover:
2012 Through the Looking Glass featured on cover of Nature, March 22, 2012.
2015 “The Ambiguous Colors of Nanotechnology,” Jeanne Carstensen, Nautilus.
2015 “Color by Shape,” Jyoti Madhusoodanan, ACS Science Central.
2012 “Plasmons Resonate in Atomic-Scale Metal Particles,” Andrew Myers, Stanford University Engineering News.
2010 “TED Fellow using nanoparticle paint,” Kristen Phillipkoski, BoingBoing.
2010 “Body of Evidence,” Kristen Phillipkoski, BoingBoing.
2010 “Color by Physics,” Lauren Rugani, Symmetry Magazine, Stanford Linear Accelerator Center.
2016 “Fusing Age-Old Artistic Tradition With Cutting-Edge Technology: A Q-and-A with Kate Nichols, artist in residence at a nanoscience laboratory,” Emily Tamkin, Slate Magazine, September 20, 2016.
2010 “Introducing TED Fellow: Kate Nichols,” Helen Walters, Business Week.
2011 The Leonardo Museum produced a short film to accompany my installation, Through the Looking Glass,
which is also featured on theleonardo.org.
2010 “Color by Nano: The Art of Kate Nichols,” ran on two shows, Gallery Crawl and Quest: Science on the Spot
on KQED Public Television, San Francisco.
2012 Emergence and Structure. (Catalogue essay by Jonah Lehrer.)
2015 Article Bienniale, Satvanger Kunstmuseum. (Catalogue essay by Nora S. Vaage.)
Artwork featured and discussed in scholarly journal article:
2013 “Engineering plasmonic metal colloids through composition and structural design,” N. E. Motl, A. F. Smith, and C. J. DeSantis, Chemical Society Reviews.